Introduction Goon Wall (hereafter “the work”) operates at the intersection of experimental documentary and video art. Comprised of layered imagery, field recordings, and short scripted sequences, the piece traces the material and social afterlives of industrial surfaces—concrete barriers, corrugated metal, patched masonry—that accumulate utilitarian markings, graffiti, and ephemeral repairs. By treating walls as palimpsests of labor and informal economies, the work reframes infrastructure as a site of collective memory and covert economies.
Abstract Goon Wall is a multidisciplinary video work that explores urban decay, labor economies, and vernacular architecture through found footage, documentary fragments, and performative interventions. This paper considers the work’s formal strategies, thematic concerns, and cultural context, arguing that its bricolage approach stages a critique of late-capitalist space while enacting an ethics of attention to marginal infrastructures.
Introduction Goon Wall (hereafter “the work”) operates at the intersection of experimental documentary and video art. Comprised of layered imagery, field recordings, and short scripted sequences, the piece traces the material and social afterlives of industrial surfaces—concrete barriers, corrugated metal, patched masonry—that accumulate utilitarian markings, graffiti, and ephemeral repairs. By treating walls as palimpsests of labor and informal economies, the work reframes infrastructure as a site of collective memory and covert economies.
Abstract Goon Wall is a multidisciplinary video work that explores urban decay, labor economies, and vernacular architecture through found footage, documentary fragments, and performative interventions. This paper considers the work’s formal strategies, thematic concerns, and cultural context, arguing that its bricolage approach stages a critique of late-capitalist space while enacting an ethics of attention to marginal infrastructures.